Stan Kenton epitomized
the word "innovator." From the band's beginning in 1941 on Balboa Beach
critics admonished the new and different sound. Yet the audience for
his music grew and transcended the continents.
A frequently repeated quote by Stan himself, "to a musician oft-repeated
phrases soon grow sterile and he seeks a new, exciting way to state
his truths."
The Kenton band over the decades was certainly in a constant quest
of searching for, and creating fresh, new and exciting music. Each new
edition of the many Kenton bands was given titles of style, starting
with 'Artistry in Rhythm,' which also became a musical theme recognized
by musicians and fans around the world. Later the music became known
as ' Progressive Jazz.' In the early 50's Stan bridged the gap between
jazz and the classical world with the large 'Innovations Orchestra'
that toured for two years. The litany of innovation continued with "New
Concepts of Artistry in Rhythm" and later the Mellophonium Orchestra.
Later, but still in the '60s, Stan created the 'Neophonic Orchestra'
devoted to exploring contemporary music by numerous composers.
The decade of the '60s was an era of poll awards, Grammy's, and instructional
clinics around the world, as well numerous honorary doctorate degrees
for Stan. The bands recorded constantly and in 1970 Stan left Capital
Records and formed the 'Creative World' identity. This was a record
company but also a venue for other jazz musicians and groups to utilize
and be heard.
In addition to Stan, the list of composer-arrangers that contributed
to the Kenton sound included the likes of Pete Rugolo, Shorty Rogers,
Bill Holman, Johnny Richards, Bill Russo, Hank Levy, Lennie Niehaus
and many other most notable writers. The band's alumni reads like a
huge list of many of the greatest and most recognized names in the field
of jazz music.
Like many of the great band leaders, Stan Kenton (1911-1979) spent
48 years on the road and almost 40 of those years as a leader of his
own band. He achieved access for American musicians to perform in Great
Britain and in the rest of Europe and took the band around the globe
on numerous foreign tours. Fresh new music was the constant realm of
the band. His musicians idolized and adored him. Longtime colleague
and admirer Frank Sinatra said, "Stan Kenton was the most significant
figure of the modern jazz age… in every time there are men whose special
role it is to give expression to the spirit of their day …. Stan Kenton
is such an individual, the symbol of a vibrant world that finds its
voice in jazz."